Drawn to Life: 20 Golden Years of Disney Master Classes: Volume 1: The Walt Stanchfield Lectures edited by Don Hahn, 448p, 2009.
When I received my review copies in the mail (it is a two-volume set), I was very excited to get a closer look at them. I reviewed Don Hahn’s previous work, The Alchemy of Animation, and thoroughly enjoyed it. With Don’s history of award-winning animation, it is very obvious that he has a passion for animation and for mentoring new animators.
Walt Stanchfield (1919-2000) spent the bulk of his professional career at the Walt Disney Studios. Before Disney, he spent time at the Charles Mintz Studio and the Walter Lantz Studio. At Disney, he had a hand in every animated feature from The Adventures of Ichabod and Mr. Toad to The Great Mouse Detective. In the 1970s, Stanchfield and Eric Larson started a training program for the new breed of animators: Bird, Bluth, Clements, Dejas, Keane, Lasseter, Musker and many more of Disney’s best modern animators. Stanchfield began compiling his notes from the weekly classes in the 1980s, these handwritten notes were passed among the animators that created the Disney films of the second Golden Age (The Little Mermaid – The Lion King). Don and his talented team (including Dee Stanchfield) transcribed over a thousand pages of notes. Included is illustrative artwork from Stanchfield and renowned Disney artists from the past 80 years.
I am not an animator. If left to my own devices, I can muster a passing face or a simple drawing of a still life–a very still life. My review of this book is based on my love of animated films and the Walt Disney Company. At a cursory glance, this work is a must for any serious animation student. Once you delve deeper into the individual sections, you realize that you are learning about the process of animation and the details of bringing lines and drawings to life. You are also discovering an artist as he shares a lifetime of experiences with students and artistic disciples.
The images of the pages I have posted are how the book is represented. Sketches and drawings permeate the text and bring the words to life. You can see the techniques jump from the page and a true sense is related on how animation works–and why Disney animation has always worked so well. The section headings are representative of the animation process: Basics, Gesture, Seeing, Analysis, Creativity and Thinking. Not only will you gain invaluable artistic skill from following Stanchfield’s lessons, but you will learn the intricacies of emotion and life in the animated form. Spending any time with this book will give you a deeper appreciation of animation as an art form.
Drawn To Life is one of the strongest primers on animation ever written. The material spares no detail on the craft of animation, but also digs deep into the artistic roots of the medium.
I reiterate–this book is a must for animators of any caliber.
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